: books :
1. The Limits of Illusion: A Critical Study of Calderón (Cambridge: Cambridge University Press, 1984).
2. The Bounds of Reason: Cervantes, Dostoevsky, Flaubert (New
York: Columbia University Press,
1986). Andrew Mellon Foundation
Publication Award.
3. Literature and the Question of
Philosophy, edited and with introductions (Baltimore: Johns Hopkins University Press, 1987). Voted an "Outstanding Academic Book of
the Year" by the Association of College and Research Libraries in Choice. Paperback edition published in March,
1989. Lightning Books electronic
reprint, 1999.
4. The Subject of Modernity (Cambridge: Cambridge University Press, 1992; reprinted 1994, 1995).
4a.
Subjectivité et modernité, trans. Philippe de Brabanter
(Paris: Presses Universitaires de
France, 1995).
6. Consequences of Enlightenment: Aesthetics as Critique (Cambridge: Cambridge University Press, 1999).
6a. Chinese translation. (Beijing: Commercial Press, 2007).
6b. “The Consequences of Enlightenment,” pp. 1-48
from Consequences of Enlightenment, in Theodor Adorno: Critical
Evaluations in Cultural Theory (Routledge, forthcoming).
7. The Cambridge Companion to Cervantes
(Cambridge, UK: Cambridge University Press, 2003)
: articles & reviews :
9. "Lope de
Vega, Juan de la Cueva, Giraldi Cinthio, and Spanish Poetics," Revista
hispánica moderna, 39 (1976-77; copyright 1980).
10. "The
Rhetoric of Defense in the Guzmán de Alfarache," Neophilologus,
63 (1979).
11. "Calderón's Encyclopedic Rhetoric," Neophilologus,
63 (1979).
12. "Sobre la
fecha de Los hechos de Garcilaso de Lope de Vega," Bulletin of
the Comediantes, 34 (1982).
13. Review of Alexander Welsh, Reflections on
the Hero as Quixote, Cervantes, 2 (1982).
14. "Comedia
and Trauerspiel: On Benjamin and
Calderón," Comparative Drama,
16 (1982).
15. "Chronicle
Towards Novel: Bernal Díaz' History of
the Conquest of Mexico," Novel:
A Forum on Fiction, 15 (1982).
15a. "Crónica
hacia la novela: La Historia de la
Conquista de México de Bernal Díaz," El Guacamayo y la serpiente,
24 (1984).
15b. Reprinted in
Spanish American Literature, ed. David William Foster (New York: Garland, 1997).
16. "Leixa-pren
y el Libro de buen amor," Nueva revista de filología hispánica,
31 (1982).
17. Review of Darío
Fernández-Morera, The Lyre and the Oaten Flute, Journal of Hispanic
Philology, 5 (1982).
18. "Borges in
the Mirror," The San Francisco Review of Books (June, 1982).
19. "The
Journalist as Communist 'Poet,'" Review of Sergei Dovlatov, The
Compromise, The Los Angeles Times Book Review (December, 1983).
20. Review of
Richard Rorty, The Consequences of Pragmatism, Philosophy and Literature,
7 (1983).
21. "Calderón: The Enduring Monument," Revista
canadiense de estudios hispánicos," 7 (1983).
22. "Cervantes
and Skepticism: The Vanishing of the
Body," Essays on Hispanic Literature in Honor of Edmund L. King
(London: Tamesis Books, 1983).
23.
"Skepticism and the Problem of Criteria in Don Quixote," Homenaje
a Stephen Gilman (Revista de estudios hispánicos, Río Piedras,
1983).
24. "The Place
of Language in Philosophy, or The Uses of Rhetoric," Philosophy and
Rhetoric, 16 (1983)
25. "Cervantes
and Descartes on the Dream Argument," Cervantes, 4 (1984).
26. "Reading
the Fantastic in Darío and Bioy-Casares," Crítica hispánica, 6
(1984).
27. "Emerson
on Nature: Philosophy Beyond Kant,"
Emerson Society Quarterly, 30 (1984).
28.
"Remembering," The Review of Metaphysics, 38 (1984).
29.
"Skepticism and Deconstruction," Philosophy and Literature, 8
(1984). Response by Steven Fuller, Philosophy
and Literature, 9 (1985).
29a. “Skepticism and Deconstruction,” reprinted in
Jacques Derrida: Critical Thought,
ed. Ian Maclachlan (Hampshire: Ashgate, 2004), pp, 36-48.
30. "The Exit
from Arcadia: Reevaluation of the
Pastoral in Virgil, Garcilaso, and Góngora," Journal of Hispanic
Philology, 4 (1984).
31. "The Logic
of Moods: An Essay on Emerson and
Rousseau," Studies in Romanticism, 24 (1985).
32. "On
Heidegger and the Recourse to Poetic Language," The Thomist, 49
(1985)
33. "Morality
and Theatricality in Calderón's El médico de su honra," Kentucky
Romance Quarterly, 32 (1985).
34. "The
Genealogy of Pragmatism," Philosophy and Literature, 10 (1986).
35. "Genre
Definition and Multiplicity in Don Quixote," Cervantes, 6
(1986)
36. "The Old
and the New: The Spanish comedia
and the Resistance to Historical Change," Renaissance Drama, n.s.
17 (1986).
36a. "The Old
and the New: The Spanish comedia
and the Resistance to Historical Change." Reprinted in Renaissance
Drama as Cultural History, ed. Mary Beth Rose (Evanston: Northwestern University Press, 1990), pp.
401-428.
37. "From the
Sublime to the Natural: Romantic
Responses to Kant," in Literature and the Question of Philosophy
(Baltimore: Johns Hopkins University
Press, 1987).
38. "The
Theory of the Novel as Philosophy: Lukács,
Unamuno, Ortega y Gasset," Revista canadiense de estudios hispánicos,
11 (1987).
39.
"Perspectivism and the Conflict of Values in Don Quixote," Romance
Quarterly, 34 (1987).
40. "Between
Philosophy and Literature: Ortega's Meditations
on Quixote, in José Ortega y Gasset:
Proceedings of the "Espectador Universal" International
Interdisciplinary Conference, ed. Nora de Marval-McNair (New York:
Greenwood Press, Contributions in Philosophy, 1987).
41. "Genealogies of Modernism," Philosophy
and Literature, 11 (1987).
42. Review of
Kenneth Baynes, James Bohman, and Thomas McCarthy, eds. After
Philosophy: End or Transformation?, New
Vico Studies, 5 (1987).
43. Review of Kevin
Brownlee and Marina Scordilis Brownlee, eds. Romance: Generic Transformation from Chretien de
Troyes to Cervantes, Romance Philology, 42 (1988).
44. "The
Grammar of Telling," New Literary History, 19 (1988), 403-417.
44a. “The Grammar of Telling,” reprinted in Ordinary
Language Criticism, ed. Kenneth Dauber and Walter Jost (Evanston:
Northwestern University Press, 2003).
45. "Don Juan
and the Discourse of Modernism," in Tirso's Don Juan: The Metamorphosis of a Theme
(Washington: Catholic University of
America Press, 1988). Reviewed in Year's
Work in Modern Language Studies, (Modern Humanities Research Association,
England), 50 (1988).
46. "History,
Theory, (Post)Modernity," in Ethics / Aesthetics: Postmodern Positions, ed. Robert Merrill
(Washington, D.C.: Maisonneuve Press,
1988).
46a. "History,
Theory, (Post)Modernity" reprinted in After the Future: Postmodern Times and Places, ed. Gary
Shapiro (Albany: SUNY Press, 1990).
47. "The
Bounds of Reason: Critical
Response," Cervantes, 8 (1988).
48. Review of
Stanley Rosen, Hermeneutics as Politics (New York: Oxford University Press, 1987), Revue
Internationale de Philosophie, 167 (1988).
49. "The Lines
Redrawn," Afterword to Redrawing the Lines: Analytical Philosophy, Deconstruction, and
Literary Theory (Minneapolis:
University of Minnesota Press, Theory and History of Literature, 1989).
50. "The
Revolt of the Masses: Ortega's Critique
of Modernity" in Ortega y Gasset and the Question of Modernity, ed.
Patrick Dust, The Prisma Institute, Hispanic Issues, 1989, pp. 337-68.
50a. La rebelión de las masas: la crítica de Ortega a la modernidad,"
in Mythopoesis: Literatura,
totalidad, ideología, ed. Joan Ramon Resina (Barcelona: Anthropos, 1992), pp. 213-238. Translation of #47.
51. "Immanuel
Kant," The Johns Hopkins Encyclopedia of Literary Theory and Criticism
(Baltimore: Johns Hopkins University
Press, 1994), 6 cols.
52. "Narration
and Totality," The Philosophical Forum, 21 (Spring, 1990).
53. Review of
Cornel West, The American Evasion of Philosophy: A Genealogy of Pragmatism," Philosophy
and Literature, 14 (Winter, 1990).
54.
"Cervantes's Exemplary Subjects," in Cervantes's "Exemplary
Novels" and the Adventure of Writing, ed. Michael Nerlich and Nicholas
Spadaccini, Hispanic Issues, 6 (Minneapolis: The Prisma Institute, 1989), pp. 49-71.
55. "Aesthetic Liberalism: Kant and the Ethics of Modernity," Revue
Internationale de Philosophie, Special issue on Kant's Critique of
Judgment, 176 (1991), 10-23.
56.
"Secularization and the Disenchantment of the World," in Dialectic
and Narrative, ed. Thomas R. Flynn and Dalia Judovitz (Albany: SUNY Press, 1993), pp. 121-137.
57. "Reason and Romance: the Persiles and the Disenchantment of
the World," MLN, March 1991.
58.
"Allegories of Power," in The Prince in the Tower: Perceptions of La vida es sueZo," ed. Frederick A. de Armas (Lewisburg: Bucknell University Press, 1993), pp. 15-26.
59. "The
Archaeology of desire in Don Quixote," in Quixotic Desire,
ed. Ruth El Saffar and Diana Wilson (Ithaca:
Cornell University Press, 1993).
60. "The
Ethics of Abstraction," in Rereading the New, ed. Kevin J. H.
Dettmar (Ann Arbor: University of
Michigan Press, 1992), pp. 117-135.
61. Review of Emerson's Modernity and the
Example of Goethe, by Gustaaf Van Cromphout, Nineteenth Century Prose,
1991, 82-85.
62. "The Ethics of Enlightenment: Goya and Kant," Philosophy and
Literature, 15 (October, 1991), 189-211.
63. "Totality
and the Novel," New Literary History, 23 (1992), 607-27.
64. "Orígenes de la Novela," Insula,
538 (October, 1991), special monographic issue, Un Libro EspaZol para el mundo: El "Quijote", 9-11.
65. "The Subject of Control," Atferword
to Culture and Control in Counter-Reformation Spain, Hispanic Issues, 7,
ed. Anne J. Cruz and Mary Elizabeth Perry (Minneapolis: University of Minnesota Press, 1992), pp.
231-245.
66. "Calderón
de la Barca," "Miguel de Cervantes," "Tirso de
Molina," and "Lope de Vega."
Entries in The International Dictionary of the Theatre
(London: Gale Research International,
1994), pp. 155-159, 175-178, 961-963, 999-1003.
67. "History and Modernity in the Spanish
Golden Age: Secularization and Literary
Self-Assertion in Don Quixote," in Cultural Authority in Early
Modern Spain: Continuation and its
Alternatives, ed. Marina S. Brownlee and Hans Ulrich Gumbrecht
(Baltimore: Johns Hopkins University
Press, 1995), pp. 209-233.
68. "A crítica da Subjectividade e o
Re-encanto do Mundo," in A. Cascardi, J. Hintikka, et. al., Retórica e
Comunicaçao," ed. Manuel Maria Carrilho (Lisboa: ASA, 1994), pp. 95-122.
68a. "The Critique of Subjectivity and the
Re-Enchantment of the World," Revue International de Philosophie,
21 (1996), 243-263.
69. "Gracián and the Authority of
Taste," in Rhetoric and Politics:
Baltasar Gracián and the New World Order, ed. Nicholas Spadaccini
and Jenaro Talens (Minneapolis:
University of Minnesota Press, Hispanic Issues, vol. 14, 1997), pp.
255-283.
70. Review-Essay of Timothy J. Reiss, The
Meaning of Literature, in Modern Language Quarterly, 54 (1993),
393-404. "Response to Reiss," Modern
Language Quarterly, 54 (1993), 414-418.
71. "La Question de l'Aufklärung," in Le
Questionnement et l'Histoire, (Bruxelles:
De Boeck, 2000).
72. "Instinct and Object: Subjectivity and Speech-Act in Garcilaso de
la Vega," Journal of Interdisciplinary Literary Studies, 6:2
(1994), special issue entitled "Literatura y subjetividad en la primera
modernidad espaZola (siglos XV, XVI, y XVII)," pp. 1-25.
73. "Goya:
La dialéctica entre la Ilustración y el arte," in Razón, tradición
y modernidad: re-visión de la ilustración
hispánica, eds. Francisco La Rubia Prado and Jesús Torrecillas
(Madrid: Tecnos, 1996), pp. 53-85.
74. Review of Alan Singer, The Subject as
Action: Transformation and Totality in
Narrative Aesthetics. Modern
Fiction Studies, 40 #4 (Winter, 1995), 929-931.
75. Review of John T. Graham, A Pragmatist
Philosophy of Life in Ortega y Gasset.
Philosophy and Literature, 19 (1995), 374-376.
76. "Ethics and Aesthetics in Joseph
Conrad," WHR (Western Humanities Review), 49 (Spring, 1995),
17-35.
77. Review of Andrea Nightingale, Genres in
Dialogue: Plato and the Construct of
Philosophy (Cambridge: Cambridge
University Press, 1995), Philosophy
and Literature, 20 (October, 1996), 527-529.
78. "Mythopoesis: Criticism and Gnosticism in Blumenberg and
Bloom," in History of the Human Sciences special volume on
Blumenberg, ed. Irving Velody (London:
Sage, forthcoming, 1997).
79. Review of Adam Zachary Newton, Narrative
Ethics (Cambridge: Harvard
University Press, 1995), Canadian Philosophical Reviews, 16 (February,
1996), pp. 37-39.
80. "Communication and Transformation: Aesthetics and Politics in Kant and
Arendt," in Hannah Arendt and
the Meaning of Politics, ed. Craig Calhoun and John McGowan
(Minneapolis: University of Minnesota
Press, 1997), pp. 99-131.
81. "Wittgenstein and Literary Theory,"
The Encyclopedia of Aesthetics, ed. Michael Kelly (Oxford: Oxford University Press, 1998), pp. 467-69.
82. "The Difficulty of Art," in Thinking
Through Art, ed. Alan Singer (Duke University Press in conjunction with boundary
2, vol. 25, Spring, 1998), 35-65.
83. "Romance, Ideology, and Iconoclasm in
Cervantes," in Cervantes and his Postmodern Constituents, ed. Anne
Cruz and Carroll Johnson (New York: Garland/Hispanic Issues, 1999), pp. 22-42.
84. Review of Jacques Lezra, Unspeakable
Subjects: The Genealogy of the Event in Early Modern Europe. Modern Philology (University of
Chicago Press).
85. “Aesthetic Reflection and Narrative
Form: From Spiritual Biography to
Universal History” in Biography:
Forms of Publishing Lives, ed. Andreas Schüle (Münster: Lit Verlag,
2001).
86. Review of Matei Calinescu, Rereading. International Studies in Philosophy,
30 #2 (1998), 120-121.
87. “Two Kinds of Knowing in Plato, Cervantes,
and Aristotle,” Philosophy and Literature, 24 (2000), 406-423.
87a. “Cervantes,
Platón y Aristóteles: Literatura y ‘Phronsis,’” Actas del IV Congreso Internacional de la Asociación
de Cervantistas, ed José María Casasayas.
88. Review of Geoffrey Galt Harpham, Shadows
of Ethics: Criticism and the Just Society. Comparative Literature,
53 (2001).
89. “Philosophy of Culture and Theory of the
Baroque,” Filozofski Vesnik, 22 (2000), 87-110.
90. “Marcel Duchamp and the Cusan Idiot’s Spoon”
(in Swedish). Hjärnstorm no. 70
(2000) (Stockholm), special issue on Marcel Duchamp.
91. “Don Quijote and the Invention of the
Novel,” The Cambridge Companion to Cervantes q.v.
92. “Heidegger, Adorno, in Vztrajanje
Romanticizma,” (“Heidegger, Adorno, in Vztrajanje Romanticizma”) Filozofski
Vestnik, 23 (2003), 93-102.
92a.. “Heidegger, Adorno, and the Persistence of
Romanticism,” in Dialogue and Universalism,
XIII, no. 11-12
(2003), pp. 13-22.
93. “José Ortega y
Gasset (1883-1955)”, A History of Western Aesthetics, vol. 4: XXth Century, ed. Huimin Jin (Beijing:
Chinese Social Science Press, forthcoming).
94.
“Beyond Castro and Maravall: Interpellation, Mimesis, and the Hegemony
of Spanish Culture,” Ideologies of Hispanism, ed. Mabel MoraZa (Vanderbilt University Press, Hispanic
Issues series, 2004).
95. “Disowning Knowledge: Cavell on Shakespeare,” The
Cambridge Companion to Shakespeare, ed. Richard
Eldridge (Cambridge: Cambridge
University Press, 2003).
96. “Sublimitas y barroco en Calderón,” in Calderón
2000: Homenaje a Kurt Reichenberger en su 80 compleaZos, ed. Ignacio Arellano (Kassel: Edition Reichenberger, 2002), 307-391.
97.
Review of Aurora Egido, Humanidades y dignidad del hombre en Baltasar
Gracián (Salamanca: Ediciones Universidad, 2001), Hispanic Review,
41 (2000).
98.
“Borges: Mimesis and Modernism,”
in Literary Philosophers, ed. Jorge Gracia, Carolyn Korsmeyer, and
Rodolphe Gasché (New York: Routledge,
2003).
99.
“Unbearable Lightness of Books,”
in Ignacio Rábago, Instalaciones, Copenhagen, 2004.
100. “Heidegger, Adorno, and the
Persistence of Romanticism,” in Dialogue and Universalism,
XIII, no. 11-12 (2003), pp. 13-22.
101.
“Hegemonija V Estetski Teoriji” (“Hegemony in Aesthetic Theory” trans.
Prevedla Valerija Vendramin), Filozsfski Vestnik, 24 (2003), 7-17.
98. “Arts of Persuasion and Judgment:
Rhetoric and Aesthetics,” reprinted in The Routledge Companion to Rhetoric,
ed. Walter Jost (Routledge, 2003).
102.
“Arts of Persuasion and Judgment: Rhetoric and Aesthetics,” in A
Companion to Rhetoric and Rhetorical Criticism, ed. Walter Jost and Wendy
Olmsted (Oxford: Blackewll, 2004), pp. 294-308.
103.
“La Belleza Traicionada,” in Teoría del Arte (Universidad de
Chile), 12 (2005), 65-78.
104. “Cervantes’ Two Hands,” in Cervantes
y su mundo, III, ed. A. Robert Lauer & Kurt Reichenberger, Estudios de
Literatura 92. (Kassel: Edition
Reichenberger, 2005), pp. 41-60.
105. “Image and Iconoclasm in Don
Quijote,” Bulletin of Hispanic Studies (Liverpool,
UK).
105a. “Historia e Iconoclasma Moderno en Don
Quijote,” Insula, no. 700-701: La Recepción del Quijote en
su IV centenario (Madrid: April-May, 2005).
106.
“The Genealogy of the Sublime in the Aesthetics of the Baroque,” Hispanic
Issues, ed. David Castillo (2005)
107.
Review of Ricardo Padrón. The
Spacious Word: Cartography, Literature, and Empire in Early Modern Spain. Chicago: University of Chicago Press,
2004. Hispanic Review.
108. “Comi-tragedia”
in Cervantes: Don Quixote and the
Genealogy of the ‘Funny Book’” In Cervantes
and His Legacy in Fiction. Ed. Robert Lauer and Sonya Gupta. (Hyderabad:
Centre for Hispanic Studies, CIEFL Bulletin, 2006), 19-37.
109. “Philosophy and
the Novel,” in The Oxford Handbook to Phiolosophy and Literature, ed.
Richard Eldridge. (Oxford: Oxford
University Press, forthcoming)
110. “Text and Image
After Plato,” forthcoming in Academic Monthly (Shanghai).
111. “The Implication
of Images in the Reviival of Aesthetics,” forthcoming in The Revival of
Aesthetics, ed. Aleš Erjavec (Cambridge: Scholar’s Press).
112. “The Matter of
Memory: Semblance and Blur in Richter and Adorno,” forthcoming in Aesthetic
Positions, ed. Peter de Bolla and Stefan Hoesel-Uhlig (Cambridge, UK).
113. “Tragedy and
Philosophy,” forthcoming in The Blackwell Companion to the Philosophy of
Literature, eds. Gary Hagberg and Walter Jost (Blackwell: Oxford, 2008).
114. “Sense and Concept: Aesthetic Theory Between Adorno and Deleuze,” forthcoming in Mediterranean Society for Aesthetics.